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Jonas Kaufmann | Mozart, Schubert, Beethoven, Wagner
ARTISTS
Jonas Kaufmann, tenor
Mahler Chamber Orchestra
Arnold Schoenberg Chor
Claudio Abbado
TRACK LISTING
WAGNER
1. "In fernem Land...bin Lohengrin genannt" from Lohengrin
2. "Mein lieber Schwan... Leb wohl!" from Lohengrin
MOZART
3. "Dies Bildnis ist bezaubernd schön...Ware sie dann mein" from Die Zauberflöte
4. "Die Weisheitslehre...führt mich der Ton zu ihr" from Die Zauberflöte
SCHUBERT
5. "Was quälst du mich...In tiefbewegter Brust" from Fierrabras
6. "Schon, wenn es beginnt zu tragen...und mein Herze will ihm nach" from Alfonso und Estrella
BEETHOVEN
7. "Gott, Welch Dunkel...In des lebens Frühlingstagen" from Fidelio
WAGNER
8. "Wintererstürme wichen dem Wonnemond" from Die Walküre
9. "Amfortas! Die Wunde!...Ewig von mir" from Parsifal
10. "Nur eine Waffe taugt" from Parsifal
Jonas Kaufmann is now established as the most successful and versatile tenor of his generation, attracting rave reviews for his live performances and recordings.
Following the international success of Romantic Arias, Jonas Kaufmann returns with this album of outstanding arias from German opera; music of his homeland which he grew up hearing.
It includes outstanding German tenor arias from the great operas of Wagner, as well as the challenging leading role of Beethoven's only opera Fidelio, favourite arias by Mozart, and rarely heard opera arias by Schubert.
Jonas Kaufmann has already sung most of these roles on the world's great opera stages.
To boot, the Mahler Chamber Orchestra and Arnold Schoenberg Chor are conducted by the great opera conductor Claudio Abbado in his first ever vocal recital recording for Decca, and his first Decca recording for almost 40 years.
“The ideal tenor: he is sexy like Brad [Pitt], has curls like Antonio [Banderas], acts like George [Clooney] and sings like no other. When the Munich-born Jonas Kaufmann opens his mouth, the audience falls at his feet”
Der Stern
“The Munich-born tenor Jonas Kaufmann is supposed to revive the great tradition of German tenors of the 1950s. His CD of opera arias shows that he’s worth the hype.”
Der Spiegel
“…you can hear a powerful tenor that is coloured with baritone who continues the German tradition of Anders and Wunderlich…which he continues outstandingly" Die Welt
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