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This month's batch of Eloquence titles brings back five outstanding CDs Emma Kirkby recorded for Decca's 'L'Oiseau Lyre' subsidiary label. They are released in advance of her Musica Viva tour in August. Both Gervase de Peyer and Antal Dorati are featured in 18 th century music (the Dorati/Haydn a distinct rarity brought back to the catalogue on much demand) and the suavely transparent recording of Debussy chamber music that the Boston Symphony Chamber Players made for DG, also returns to the catalogue. |
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ARTISTS TRACKLISTING 'Nehmt meinen Dank ... sees Kirkby charming her way through its short, curtseying phrases in the gracious company of flute, oboe, bassoon and pizzicato strings. Hogwood's Academy plays thoughout with sentient vigour. For L'amero, saro costante, Christopher Hirons steps out to provide an affecting solo violin confidant for the leaning, sighing vocal part with its irresistible descending trill of a tiny cadenza. And in Ch'io mi scordi di te , the interplay of Kirkby's voice, orchestra and Steven Lubin's fleet-fingered fortepiano is deeply satisfying.' Gramophone |
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ARTISTS TRACKLISTING 'Those who know Exsultate, jubilate well will notice that here the oboes are replaced by flutes (with less to do in the last movement) and that the words of the first movement and the recitative which follows it are different; the reason is that this performance is based on a manuscript discovered in 1979, which seems to have been prepared for a performance in Salzburg in 1780 for the feast of the Holy Trinity. Emma Kirby sings it with stunning virtuosity, with never a note or an inflection out of place, and she adds some nice flourishes and cadenzas at appropriate points ... Emma Kirby sings the exacting solo parts with apparently effortless fluency ... these are spectacular performances, enhanced by the fine choral and orchestral support guided by the sure hand of Christopher Hogwood, and vividly recorded.' Gramophone |
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As a pendant to his legendary cycle of the Haydn symphonies with the Philharmonia Hungarica, Antal Dorati also recorded supplementary symphonies and the Sinfonia Concertante, all of which made their way into the highly-regarded boxed set of these works. However as a pendant he also recorded these gorgeous 24 Minuets - then, as now, a comparative rarity. The recording appeared briefly on Decca's 'Serenata' series but has long been deleted and has now become something of a collector's item. Here it is happily restored to CD at budget price. |
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