![]() |
||||||||||||||||
![]() |
![]() |
![]() |
![]() |
|||||||||||||
|
|
|---|
![]() |
||||||||
|---|---|---|---|---|---|---|---|---|
ARTISTS This classic album from one of Australia's most innovative composers has been unavailable for some time and is now repackaged and reissued due to popular demand. It contains the charming Russian Rag as well as the hypnotic title track Clocks. Elena Kats-Chernin's music was used to stunning effect during the opening ceremony of the Sydney 2000 Olympics. MARKETING: |
||||||||
![]() |
||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
ARTISTS This vivid studio recording was made immediately following Pinchgut Opera's sell-out 2003 season of Purcell's magical The Fairy Queen. With a stellar cast including Sara Macliver, Sally-Anne Russell and Stephen Bennett this important all-Australian recording will be welcomed internationally as fine alternative to the classic recordings of the work by Gardiner, Christie and Norrington. Most of Purcell's musical output consisted of music for the Royal Court and Church. His odes, anthems and welcome songs are among the most beautiful of English music. He also wrote many overtures, dances and songs for the theatre but only 6 full length works for the stage: Dioclesian, Dido and Aeneas, The Fairy Queen, The Tempest, Indian Queen and King Arthur. Of these, only Dido was a full opera, in which the story was told in song. The others, including The Fairy Queen, have been described as Semi-Operas, where the story is acted out in between the arias and choruses. The Fairy Queen is based on A Midsummer Night's Dream, and the characters in Purcell's work include Titania, Helena, Oberon, Puck and Bottom, disguises, mistaken identities, jealous spouses as well as dreams and magic potions. MARKETING PLANS
|
||||||||||||
![]() |
||||||||
|---|---|---|---|---|---|---|---|---|
|
Click here to visit the Australian Brandenburg Orchestra's website: www.brandenburg.com.au
ARTISTS |
||||||||
![]() |
||||||||
|---|---|---|---|---|---|---|---|---|
|
Click here to visit the Australian Brandenburg Orchestra's website: www.brandenburg.com.au
ARTISTS |
||||||||
![]() |
||||||||
|---|---|---|---|---|---|---|---|---|
ARTISTS |
||||||||
![]() |
||||||||
|---|---|---|---|---|---|---|---|---|
TRACKLISTING 'Ludovico Einaudi is a classical composer with pop-star sales' The music of composer/pianist Ludovico Einaudi has been described as minimalist, classical, ambient, contemporary and deeply touching... the welcome sound of stillness in a hectic world.This is Einaudi's first album for Decca - Una Mattina. Speaking of his new work, Einaudi says: 'If someone asked me to define this album, I would say it was a collection of songs linked together by a story. But unlike my other albums, it doesn't belong to a time in the past. It speaks about me as I am now, my life, the things around me, my piano (which I have nicknamed 'Tagore'), my children Jessica and Leo, the orange kilim that brightens up the living room, the clouds sailing slowly across the sky, the sunlight coming in the window, the music I am listening to, the books I read and don't read, my memories, my friends and loved ones'. Una Mattina features Einaudi on solo piano and includes three pieces with cello. The sound of the piano is very pure and warm, with a melodic quality that shines through the whole album as a spiritual guide, like a haunting and mesmerizing human voice. Einaudi himself is a classically trained musician and a charming and fascinating man. His rich family history includes a grandfather who was a composer, a family vineyard and even a past President of Italy. Born in Turin (1955), the pianist and composer Ludovico Einaudi trained at the Conservatorio in Milan, then continued his studies under the guidance of Luciano Berio. |
||||||||
![]() |
||||||||
|---|---|---|---|---|---|---|---|---|
Valery Gergiev - today's outstanding champion of the music of Shostakovich - leads the Kirov orchestra in a blazing account of the first of the War Symphonies. Begun in September 1935 Shostakovich's 4th Symphony was to be a crucial turning point - both in his life and his music. During its composition Stalin attended a performance of Shostakovich's opera Lady Macbeth of Mtensk and did not like it. Two days later Pravda published a harsh attack on the opera, followed by a savage attack on Shostakovich's new ballet score The Limpid Stream . The message was clear that composers would now be expected to follow the party line. The planned first performance of the 4th Symphony by the Leningrad Philharmonic did not take place, and it was not until 1961 that Kirill Kondrashin conducted a reconstructed account of the lost symphony in Moscow. At the time, a reviewer described it as '...the cruel struggle between the human and the blind, and mechanically inhuman which stands opposed to it.' This is a white-hot score, bursting with invention and passion. |
||||||||
![]() |
||||||||
|---|---|---|---|---|---|---|---|---|
BIZET MOZART MASCAGNI PURCELL RICHARD STRAUSS BERLIOZ BRAHMS SCHUBERT Anonymous (arr.Peter Hope) BERNSTEIN RICHARD RODGERS ADAM FRANCK WAGNER DVD - The Making of Carmen A CD & DVD package, marking the start of a major new series of releases celebrating the great American soprano . It is now several years since the last international release devoted to the unique artistry of Jessye Norman appeared. This new compilation represents the very best of Jessye Norman in a selection of popular tracks from complete recordings of operas and her many recital programs. A generously-filled 75-minute CD is packaged with the first DVD release of The Making of Carmen, a fascinating documentary of behind-the-scenes footage of how a recording is made. Jessye Norman's recording of Carmen has achieved legendary status and has been a constant seller since first release and two of the most popular arias (Seguidilla and Habañera) are also heard on the CD. |
||||||||
![]() |
||||||||
|---|---|---|---|---|---|---|---|---|
ARTISTS TRACKLISTING CD 2 : CD 3 : CD 4 : CD 5 : CD 6 : A Must Have box for all fans of great singing. 6 CDs presenting the art of this outstanding Decca artist from 1959 to 1985. First time release on any format - 6 French Songs (with Richard Bonynge at the piano). On CD for the first time - an extended scene from Bellini's Norma from a Gala performance at the Royal Opera House, Covent Garden featuring the New Zealand-born mezzo soprano Heather Begg. All the arias from the 1970 Romantic French Arias together for the first time. During her long association with DECCA - one that lasted for over 30 years - Dame Joan Sutherland made over thirty recordings of different operas (and more than one version of some of these); she also made many recital discs and other recitals around a theme or program. Joan Sutherland's recordings - usually made with her husband, conductor/pianist Richard Bonynge - have sold in vast quantities. Since her sensational and meteoric rise to fame as a result of her performances in Lucia di Lammermoor in February 1959 at the Royal Opera House, Covent Garden, Joan Sutherland has been a household name and symbol of excellence - even today largely unchallenged - in coloratura singing. During the many years she recorded for DECCA there have been many compilations and tributes dedicated to La Stupenda as she has been dubbed and almost all of her recordings have appeared on CD. This new major retrospective showcases Joan Sutherland in many of her famous roles and features recordings right across her recording career from 1959 and the famous Paris recital to her participation in a recording of a Handel rarity, Athalia , with Christopher Hogwood and the Academy of Ancient Music, in 1985. For the first time ever the complete selection of arias which formed the 1970 release of "Romantic French Arias" is available on CD; an extended scene from Act Three of Norma in a live recording from the Royal Opera House, Covent Garden, from a concert in aid of the Darwin appeal, is included and appears on CD for the first time; and an ever greater bonus is included here with the release FOR THE FIRST TIME EVER of 6 French songs with Richard Bonynge as pianist. These songs were recorded at the end of the "Romantic French Arias" sessions in September 1969 and the tape was fogotten about until now! Indeed Joan Sutherland and Richard Bonynge themselves don't remember recording them! Joan Sutherland has written an introduction to the set and recalls with great fondness moments from a long and truly distinguished career and the many roles she sang and a very generous selection of photographs depict La Stupenda in a variety of roles across the years. This new set is a "must" for all Sutherland fans and devotees! |
||||||||