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Cat. No.: 1781086
Barcode: 00602517810860
Label: Universal CD
Release Date: August

 

 

DAVID CAMPBELL | First and Foremost


ARTISTS

David Campbell

 

TRACK LISTING

1. On Such A Night As This
2. Grateful
3. Whatever Happened Melody
4. Come Rain Or Come Shine
5. Old Devil Moon
6. Alexander’s Ragtime Band
7. Let Me Sing & I’m Happy
8. I Got Rhythm
9. The Nearness Of You/Not A Day Goes By
10. Storybook
11. Yard Sale
12. Errol Flynn
13. Mr Tanner
14. I Have Dreamed/Out Of My Dreams
15.  Only Heaven Knows
16. Taking The Wheel
17. A Kid Inside
18. It Will Always Be You (Acoustic Version)

David Campbell needs no introduction; singer/ songwriter, stage performer and born entertainer, he’s been at the forefront of Australian show business for over a decade. First And Foremost is a rich and diverse selection of David’s earlier recordings for PolyGram, the label that first signed and developed him in the mid Nineties. David effortlessly glides through beloved classics such as The Nearness Of You, It Will Always Be You and Old Devil Moon, putting his own unmistakeable twist to it. This great album also includes a previously unreleased track, Let Me Sing & I’m Happy.

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Cat. No.: 723 0789
Barcode: 0888072307896
Label: Concord CD
Release Date: August

 

STEVE CROPPER & FELIX CAVALIERE | Nudge it Up a Notch

 

VARIOUS ARTISTS

Steve Cropper
Felix Cavaliere

 

 

TRACK LISTING

1. One of Those Days
2. If It Wasn’t for Loving You
3. Without You
4. Full Moon Tonight
5. To Make It Right
6. Impossible
7. Still Be Loving You
8. Cuttin’ It Close
9. Make the Time Go Faster
10. Jamaica Delight
11. Imperfect World
12. Love Appetite

 

This soul summit came about as a result of conversations between Cropper and producer/songwriter Jon Tiven. When Tiven moved to Nashville several years ago, he asked Cropper what he was up to. Cropper replied that he was focusing on live dates with Booker T & the MGs and the Blues Brothers, but harbored the desire to record some new music. But who would sing? The answer, it turned out, was Cavaliere, who, like Cropper and Tiven, now lived in Nashville. In fact Cropper and Cavaliere were no strangers: they had, with a few other well-known musicians, put together a band to play special events. The two hadn't written together before, but agreed it would be fun to try.

The writing process began at Tiven's Hormone Studios, followed by the recording of two songs, "One of Those Days" (the album's lead track) and "Love Appetite." Drummer Chester Thompson, a veteran of John Fogerty, Frank Zappa, Genesis and Frank Black, signed on as drummer, and suggested a bass player, his friend Shake Anderson, who was Curtis Mayfield's protégé. The assemblage grew to include two backup singers, Mark Williams and N'nandi Bryant. And that was it. No special guest stars. As Tiven wrote in the notes, "This isn't one of those albums where you have to guess who's doing what - every guitar lick is Steve, every keyboard is Felix, and all the songs are originals."

Tiven elaborates on the legacies of Cropper and Cavaliere: "Steve Cropper is a guitar player's guitarist but also a songwriter's songwriter," he writes. "If the only thing he did in life was to play producer/co-writer/guitarist for Otis Redding, that would be enough. But he also helmed enough albums that made their mark on American pop culture by artists like Booker T & the MGs, The Blues Brothers, Jeff Beck and John Mellencamp to qualify him as a bona fide national treasure."

"And Cavaliere . . .," he adds, "If you were alive in the alive in the mid-to-late ‘60s, you couldn't go anywhere without hearing his voice and songs are part of his group The Young Rascals (later The Rascals). Their blue-eyed soul dominated the airwaves . . . and gave this country the kind of soul music most folks wouldn't think to associate with a bunch of Long Island Peppermint Lounge expatriates."

Nudge It Up a Notch, which was reverently mixed by the legendary David Z, features 12 tracks, including several instrumentals (Cropper having a bit of history in the R&B instrumental department) alongside vocal tracks. On a few tunes the team turned to friends Henry Gross and Tom Hambridge to provide their lyrical spin. One track, "Make The Time Go Faster," embellishes its chunky soul riff with rap passages.

"If all this combination of iconic songwriter/performers had to offer was simply the sum of their parts it would be extraordinary," Tiven concludes. "But you put this much flammable material in the room and you don't just get a little heat. You get a bonfire."

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Cat. No.: 7230669
Barcode: 00888072306691
Label: Concord CD
Release Date: August

 

 

JAMES HUNTER | The Hard Way

 

VARIOUS ARTISTS

James Hunter

 

TRACK LISTING

1. The Hard Way
2. Tell Her
3. Don’t Do Me No Favours
4. Carina
5. She’s Got A Way
6. Til The End
7. Hand It Over
8. Jacqueline
9. Class Act
10. Ain’t Goin' Nowhere
11. Believe Me Baby
12. Strange But True

 

Soul deep Brit James Hunter - who possesses a "tight, slithery soul groove" and a "sweet growl" (NY Times) makes his Hear Music debut with 'The Hard Way.' The new album finds Hunter delving further into the realm of deep soul on a set of all-original material.

'The Hard Way' was produced by Liam Watson (The White Stripes) at famed analogue haven Toe Rag Studios in London. The instrumental palette is rich and the arrangements sharpened for 'The Hard Way.' Allen Toussaint joins Hunter on the sultry "Til The End," the rhumba "Believe Me Baby," and the title track. The gorgeous Echo Strings buoy "The Hard Way" and the romantic "Carina," with accompanying pedal steel. The jumping "Don't Do Me No Favors" is designed for the dance floor.

The album resolves with the romantic ballad "Strange But True," the first Hunter recording stripped down to just vocals and guitar. The album also showcases further evidence of Hunter's guitar prowess, his manic solos recalling the fretwork of Ike Turner.

Hunter has extensively road tested the new album, crisscrossing North America and Europe since his 2006, GRAMMY nominated album 'People Gonna Talk' put him on the map. That album took him from being "one of the best voices, and best kept secrets, in British R'n'B and Soul," as Van Morrison put it, to a major breakout success of 2006. He opened for Etta James, Boz Scaggs, Los Lonely Boys, and Aretha Franklin; reached #1 on Billboard's Blues chart; and made several national television appearances. 'People Gonna Talk; earned him critical acclaim as well, with Rolling Stone calling it "a treat not to miss" and USA Today raving about his "sublime soul."

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