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LPR SERIES 8 exciting new titles in the LPR series
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TRACKLISTING A blues-tinged, deeply soulful balladeer in the tradition of Billy Eckstine and Al Hibbler, Ernie Andrews has made only a handful of recordings in a career stretching back to the late '40s. But as this 1964 recording makes clear, he is an outstanding vocalist, as capable of getting to the heart of a song as any of his more famous peers. |
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TRACKLISTING "The impression that emerges from a first hearing of these twelve performances reinforces one's previous convictions: The art of singing as it is practiced by Ella Fitzgerald is not merely an art of interpretation but also one of renovation and, in many cases, sublimation." This is no less true when she tackles "Hello, Dolly!" or the Beatles' "Can't Buy Me Love" than it is when she interprets Cole Porter or Richard Rodgers. |
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TRACKLISTING The perennially hip and always incredible Jimmy Smith was not just the most successful and influential organist in jazz history; he could sing, too. This 1968 recording features plenty of Smith's gruff and soulful blues belting, as well as his usual top-notch organ-grinding. With Stanley Turrentine and Phil Upchurch. |
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TRACKLISTING A master of the blues who was equally comfortable singing pop, r&b, or jazz, Jimmy Witherspoon sang about the heartaches, headaches, and dreams of the modern world with a mix of musical sophistication and unpretentious, country-style emotionalism. On this underappreciated 1967 recording, Witherspoon is accompanied by the equally soulful organist Brother Jack McDuff. |
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TRACKLISTING This album, one of Marlena Shaw's first, finds her dipping effortlessly into a variety of musical styles: pop-soul, blues, jazz, and more. Features the DJ favorite "California Soul" and Shaw's first recording of one of her signature numbers, "Go Away, Little Boy." |
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TRACKLISTING This is late-night music for romantic unfortunates -- the great Dinah Washington's highly personal take on the many shades of heartache and yearning brought on by the ups and downs of romance. With Quincy Jones and a first-rank jazz orchestra providing the accompaniment for Washington's distinctive vocals, feeling bad just doesn't get any better than this. |
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